selected press 

A Cinephile Finds a Fit in Anthropology” by Office of Communications and Marketing, Graduate Center, CUNY, August 30, 2024

Hyperallergic, “Queer Art Workers Reflect: Natalie Erazo Thinks ‘Art Workers’ Deserve Increased Transparency” by Dessane Lopez Cassell, June 4, 2020

On Women at Work: The Domestic Is Not Free:

The Film Stage, “NYC Weekend Watch: Leos Carax, ‘Women at Work,’ Coen Westerns & More” by Nick Newman, November 2, 2018

New York Times, “3 Film Series to Catch in N.Y.C. This Weekend” by Ben Kenigsberg, November 1, 2018

Hyperallergic, “A Film Series Spotlights Women in Domestic Space” by Deena ElGenaidi, October 31, 2018

Screen Slate, “The Day I Became a Woman” Feature by Mark Lukenbill, October 29, 2018

Mubi, “Resilience Shines On at BAMcinématek's ‘Women At Work’ Series" by Elissa Suh, 2018