selected press
“A Cinephile Finds a Fit in Anthropology” by Office of Communications and Marketing, Graduate Center, CUNY, August 30, 2024
Hyperallergic, “Queer Art Workers Reflect: Natalie Erazo Thinks ‘Art Workers’ Deserve Increased Transparency” by Dessane Lopez Cassell, June 4, 2020
On Women at Work: The Domestic Is Not Free:
The Film Stage, “NYC Weekend Watch: Leos Carax, ‘Women at Work,’ Coen Westerns & More” by Nick Newman, November 2, 2018
New York Times, “3 Film Series to Catch in N.Y.C. This Weekend” by Ben Kenigsberg, November 1, 2018
Hyperallergic, “A Film Series Spotlights Women in Domestic Space” by Deena ElGenaidi, October 31, 2018
Screen Slate, “The Day I Became a Woman” Feature by Mark Lukenbill, October 29, 2018
Mubi, “Resilience Shines On at BAMcinématek's ‘Women At Work’ Series" by Elissa Suh, 2018